In the Life section, probably the part I enjoyed reading the most, we learn a lot about Hamid himself, the experience of a articulate and learned Pakistani, with a talent for writing, who experiences life first in New York (until just before 9/11), then in London for the next eight years or so, then in Lahore. Hamid is humane and intelligent advocate for what is good about globalisation, refusing to be drawn into any notion that the world can be decoded in terms of "civilisations", still less antagonistic ones. If there is a constant thread through the book, it is this refusal to categorise people by monolithic labels, in particular, for obvious reasons, the label of Islam. His accounts of Pakistan in particular emphasise the staggering diversity of that country, something poorly understood by westerners, notably, and tragically, by US policymakers over the last 15 years. Hamid's "philosophy of life" (a grand term he would doubtless eschew), is ultimately deeply attractive in its inclusiveness and tolerance. If he is the ambassador of globalisation, and others, both East and West, perceived it as he does, then globalisation is to be embraced.
The Art section talks about writing. Hamid's three novels, Moth Smoke, The Reluctant Fundamentalist and the aforementioned How to Get Filthy Rich in Rising Asia have all been extremely well-received (mental note to make sure to read the first two sometime), but I did not, in all honesty, feel greatly enlightened by his "theory" on the subject of writing, though it was interesting, for example, to read his thoughts on the use of the second-person narrative in his third novel.
Ambassador for globalisation, Mohsin Hamid |
Given Pakistan's centrality for world peace and geopolitics, it struck me reading this how little any of us really know about this vast and complex country. Reading Hamid's journalism gives a glimpse of something far richer, more complicated, above all more human than the West normally perceives. For that I am glad I read this book.
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